Archive for Lucinda Storms

First Friday in the sunshine

Posted in first friday, quick pokes, upcoming shows with tags , , , , , , , , , , , , , , , , , , , , , on June 3, 2011 by Rebecca

First Friday is tonight! Here’s the preview, originally published in Rochester City Newspaper

It’s June, which means a few things for the arts community. Many – but not all – of the local college galleries have gone on vacation. It’s the sixth month, which means Rochester Contemporary’s super successful, annual “6×6” show and sale is back. And finally, the weather allows you to fully enjoy your First Friday art trek. Visit firstfridayrochester.org for a list of this month’s participating venues, and check our online events calendar at rochestercitynewspaper.com for more receptions and exhibits.

You can preview Rochester Contemporary‘s “6x6x2011: Global” exhibition Wednesday-Friday, June 1-3, 1-10 p.m. (as well as online at roco6x6x.org). The actual opening party and artwork sale takes place Saturday, June 4, 6-10 p.m., and admission is $5. By now you know the drill: buy numbered stickers for $20 each, stalk your favorite pieces, and at the signal, claim them. Online purchasing follows on June 6 at 10 a.m.

At the Record Archive (33 1/3 Rockwood St., 244-1210), a group of Rochester artists will pay tribute to another in “Declan Ryan: An American Icon,” with a variety of works by Trudy Feikert, The Professor of Rap, the Family Storms, and more.

Over at the Hungerford Building (1115 E. Main St., thehungerford.com), The Rochester Art Club Studio (Door 2, Suite 437, 439) will feature work by Kathleen Hanney and Phil Bliss at a 5-9 p.m. reception. Stop by Crocus Clay Works (Suite 225, 414-5643, crocusclayworks.com) to check out “Graffita: Not Your Average Brazilian Post Card, Sabbatical Artwork by Kaaren Anderson,” also 5-9 p.m. For one night only, 6-9 p.m., you can visit post-apocalyptic “Museum of Future Past” (Door 2, Suite 129), which through artifacts and Marvel comic story arcs will bring viewers into the mythos of superhero and super-villain characters no longer with us. “The age of heroes has come to an end,” says artist Chris Wells, “but hope still remains.”

Studio 215 in the Anderson Alley Building (250 N. Goodman St., 490-1210) will host “School’s Out for Summer,” a collaboration with students who want to express themselves outside of the art room. Artist and educator Heather Erwin will be on hand to aid with exploring the creative process, and supplies will be provided while they last. Over at the Firehouse Gallery at Genesee Pottery (713 Monroe Ave., 271-5183), take in “Intake,” an exhibition of new work by artist and Nazareth College professor Mitch Messina. The Renaissance Art Gallery (74 St. Paul St., 423-8235) will hold a reception 6-8 p.m. for “Through the Artist’s Eye,” a show of new oils and watercolors by Judy Soprano.

An image from Judy Soprano's "Through the Artist's Eye," at Renaissance Art Gallery. PHOTO PROVIDED

First Friday February reactions

Posted in alternative spaces, first friday with tags , , , , , on February 5, 2011 by Rebecca

Last night’s FF travels included some very luscious pop paintings in “The Two Headed Love Show” by Lucinda Storms at the Record Archive, and a trio of artists presenting paintings and installations at Four Walls Gallery’s debut show, “Form & Substance,” at the spanking new location [ 179 Atlantic ].

Today I’ll check out more of the newly opened shows, including the Mentors & Mentors exhibit at Rochester Contemporary [ which will hold the artists’ talk on Sunday at 1 p.m. ]. I’m also excited about a near-future lunch date with Sabra Wood of Crocus Clay Works. What manner of artsy-goings-on and local charity matters will I report? Stay tuned, dear readers.

Lucinda Storms

A view of Lucinda Storms' new work, painted under her creative alias "Belvedere." Those empties indicate works sold off the wall.

The colorful, creamily stroked, and whimsical paintings by Lucinda Storms [ aka artistic alias “Belvedere” ] make it exceedingly hard to maintain a grumpy mood. Her new show at the Record Archive presents a selection of cheeky-messaged candy hearts [ the familiar shape modified with endearing to not-so- phrases like “my nerd,” “scum bag,” and “booger” ]. Other works include human-plant hybrid girls, trippy, smokable butterflies, and some of her silhouette paintings of birds inspired by Audubon.

Storms' sweet sylvan sprites: "Nature Girl" and "Amanita M."

"Monarch Doobiefly"

At Four Walls, gallery director Shawn Dunwoody enthusiastically pointed out a favorite feature: the large windows. The former gallery space in the basement of 34 Elton Street was roomy to be sure, but entirely without natural light or a way to show the art off to passers by.

Victor Pacheco's "Fighter Cock #5" seen through the window front of 179 Atlantic Avenue

Local sculptor Victor Pacheco’s “Fighter Cocks #5” is a work of cast, welded, and riveted battling bird-jets gliding over a bed of undulating, sweeping wood strips. Also in the “Form & Substance” show is his “Extraction Site,” a wall-installation of  a moving oil drilling rig pumping through a bank of ice.

Detail of Pacheco's "Fighter Cocks #5"

Francesca Lalanne’s work reflects her fascination with refining and renewing the surfaces of wood and metal, and draws parallels between the imperfections in and perpetual refinement of those materials and of the body and self. She finds stories in scars, and states that her work is often less about the object being created than the materials and language she is using.

A figurative mixed media work by Francesca Lalanne

Artist and professor Kitty Hubbard’s “Housing Projects” are inspired by her youth helping her mother fix up broken-down homes. “She has always been able to see the potential in buildings, and people,” Hubbard says. Other works in the exhibit address financial strains we feel “as individuals and as a country,” she says. The works incorporate shredded credit card bills and wax, “just barely holding the house together.” Lit from within, the former group emanates a sense of life and hope, but the darkened “discover MC visa” do not lend the same sentiment.

Detail of Kitty Hubbards' wax and milk container "broken homes"